Panasonic has unveiled the LUMIX GH5S, a new addition to the G Series lineup with exceptional low-light performance for the professional videographer. The GH5S will be available in Australia in February 2018.

A companion model to the highly successful DC-GH5 hybrid digital single lens mirrorless camera, the GH5S incorporates a 10.2-megapixel Digital Live MOS Sensor and Venus Engine with – in a first for LUMIX – Dual Native ISO technology delivering a maximum ISO of 51200.

Scott Mellish, Product Marketing Manager, Imaging, Panasonic, said:

“Dual Native ISO was originally developed for Panasonic’s Varicam broadcast cameras. This capability has received critical acclaim from professional cinematographers who need to work creatively in challenging lighting conditions without compromise.

“We are very excited to see this technology become accessible to LUMIX G Series customers, who will enjoy the vibrancy and greater artistic latitude provided when shooting with the GH5S in low light situations.”

The GH5S offers a number of other capabilities that video specialists will appreciate. A slightly larger multi-aspect sensor provides sufficient margin to allow all aspect ratios to have the same angle of view – including Cinema 4K; 4K; Anamorphic 4:3 in video recording; and 4:3, 16:9 and 3:2 in photo shooting.

For situations where extreme slow-motion is required, the variable frame rate has been increased to up to 240 frames per second (fps) in Full HD (maximum 10x slower); and the GH5S also records overcranked / undercranked video in C4K/4K (60 fps, maximum 2.5x slower)ⁱ.

Other convenient features include V-Log L profile and LUT (Look Up Table) pre-installed in the camera, so users can immediately play videos recorded in V-Log L. The GH5S is also at home in the studio interfacing with other broadcast cameras thanks to its compatibility with Time Code IN/OUT. This is easy to set up using the flash sync terminal and bundled BNC converter cable.

The GH5S is further optimised to provide excellent autofocus in low-light environments, with -5EV luminance detection in Low Light AF. Live View Boost allows scenes to be electronically illuminated in almost total darkness to check accuracy in Live View before shooting; and to support this, the magnification ratio in MF Assist has been increased to 20x. Night Mode – which aids the photographer’s night vision – can be selected to put a red cast over the viewfinder and/or the LCD display.

Scott Mellish explained that the GH5S “would be ideal for a professional wedding videographer who uses a run and gun camera like the GH5 for daytime shoots, but also needs a tripod-mounted camera to capture speeches in low-light at the reception without any loss in quality.”

Other key features include 4K 10-bit 4:2:2 25/30p video recording to SD Cardⁱⁱ and 4K quality video at 50/60 fps in Cinema 4K (4096 x 2160)ⁱⁱⁱ. The GH5S is built for the professional, incorporating a weather-sealed body, large-capacity batteries, dual UHS-II SD Card slots and convenient Bluetooth and Wi-fi connectivity.

DC-GH5S pricing and availability:

The DC-GH5S will be available in Australia in February 2018 from photographic specialists and consumer electronics retailers.

• DC-GH5SGN-K – Body only: $3499 RRP

Also compatible with:

• DMW-BGGH5E – Accessory Battery Grip: RRP $399
• DMW-XLR1E – XLR Microphone Adaptor: RRP $499

Additional Features

Digital Live MOS Sensor with Dual Native ISO

Dual Native ISO is a technology that seamlessly bridges two separate native ISO circuits, and is used in Panasonic’s professional Varicam cameras. In the GH5S, Dual Native ISO minimises noise generation by choosing the optimal circuit to use according to the sensitivity before gain processing. As a result, it allows a maximum ISO 51200 high sensitivity recording. Dual Native ISO can be switched manually between LOW (ISO160-800/Native 400) and HIGH (ISO800-51200/Native 2500).

Professional capabilities

The GH5S incorporates 400-Mbps 4:2:2 10-bit All-Intra video recording in 4K 30p/25p/24p and 200-Mbps All-Intra in Full-HD; 4K video recording in Anamorphic mode; 4K Hybrid Log Gamma Profile compatible with 4K HDR television; and USB tethering.

Fast Response

Contrast AF with DFD^iv (Depth From Defocus) technology allows the GH5S to achieve fast AF of 0.07 sec^v (approx.). In high-speed burst shooting the camera captures 12 fps (AFS)/ 8 (AFC) in 12-bit RAW and 11 fps (AFS) / 7 (AFC) in 14-bit RAW. The camera also incorporates 4K Photo, capturing 60 fps in 8-megapixel resolution. For amazingly precise focusing, users can create a group of 225 focus areas and move or change it in size according to the composition. Panasonic also offers Face/Eye Recognition, Tracking AF, 1-area AF and Pinpoint AF.

Rugged, mobile design for field use

The DC-GH5S has a magnesium alloy full diecast front/rear frame. Secure construction and sealing for every joint, dial, and button ensure the camera is not only splash^vi and dust-proof but also freeze-proof down to -10 degrees Celsius.

The DC-GH5S offers dual SD Memory Card slots, compatible with high-speed, high capacity UHS-II and Video Speed Class V60/V90. Users can select Relay Recording, Backup Recording or Allocation Recording modes.

The OLED Live View Finder (3,680K-dot) ensures precise focus with a stunning magnification of 0.76x (35mm camera equivalent), 100% field of view and a smooth 120fps display. In addition to dual dials, an omni-directional joystick enables intuitive and flexible operation.

Field work is streamlined with Bluetooth 4.2 Low Energy connection and secure 5GHz Wi-Fi® (IEEE 802.11ac), providing convenient remote control and sharing with other devices, and faster data transmission.

For further information on the DC-GH5S, please visit www.panasonic.com.au or call 132 600.

Watch all videos on Panasonic Australia YouTube Channel.

ⁱ In 24p playback. Effect value varies depending on the recording format and frequency. The angle of view narrows when a frame rate of 204 or more is selected.
ⁱⁱ 4:2:0 8-bit in C4K 60p/50p and 4K 60p/50p recording on an SD Memory Card.
ⁱⁱⁱ As of January 8, 2018 as a Digital Single Lens Mirrorless camera that complies with Cinema 4K (C4K: 4096×2160) resolution defined by Digital Cinema Initiatives (DCI). According to a Panasonic study
^iv Contrast AF with DFD Technology works only with Panasonic Micro Four Thirds lenses.
^v In AFS, at wide-end with H-ES12060 (CIPA).
^vi Splash Proof is a term used to describe an extra level of protection the GH5S offers against exposure to a minimal amount of moisture, water or dust. Splash Proof does not guarantee that damage will not occur if this camera is subjected to direct contact with water.

The Panasonic LUMIX G9 has been created to truly inspire the enthusiast photographer, with a stellar lineup of best-in-class features that deliver incredible responsiveness, stunning image quality, precise operability and outstanding mobility.

Panasonic continues to be the leading driver of innovation in the mirrorless category with the LUMIX G9. The camera delivers fastest-in-class burst shootingⁱ at 20 fps (AFC) / 60 fps (AFS) in 20-megapixel resolution; introduces 6.5-stops compensation via enhanced, ultra-precise stabilisation technology (5-Axis Dual I.S. 2); and leads the industry with 80-megapixel High Resolution mode.

The G9 has breathtaking ergonomics. At 0.83x (35mm camera equivalent), the magnification ratio of the Live View Finder (LVF) is the largest in its classⁱⁱ. This OLED LVF display has a high 120 fps (frames per second) refresh rate with no blackoutⁱⁱⁱ, key to shooting high-speed action. A status LCD on top of the body – also largest-in-class – provides detailed settings at a glance. Travel photographers will appreciate the introduction of USB charging and operation on this model.

Photographers also benefit from features first seen on the LUMIX GH5 and still unique in their class – including 6K Photo Mode burst shooting with no buffer limit, supported by high-speed backup with Dual SD UHS-II Card slots.

Scott Mellish, Product Marketing Manager, Imaging, Panasonic said:

“Enthusiasts looking to broaden their scope with a highly mobile camera designed for fast action photography in the wildlife and sports arena will appreciate the G9 – with high-performance features housed in a sleek, lightweight design. In addition, the camera’s unique 80-megapixel mode is a boon for landscape photographers wanting to create images with incredible detail.”

“The G9 takes the outstanding developments that debuted with the GH5 and adds new capabilities for specialised shooting never before seen in this class of camera.”

Key Capabilities

Powerful performance for field shooting

The LUMIX G9 is designed to capture the defining moment. It boasts outstanding performance with fastest-in-class burst shooting^iv at 20 fps (AFC) / 60 fps (AFS) in 20-megapixel full resolution including RAW. A blackout-free LVF^v means the user can continuously track and keep the subject in focus. Panasonic has also introduced a new Pre-burst shooting mode on the G9, so the camera commences shooting 0.4 seconds prior to shutter release, including when shooting in RAW.

Panasonic allows the photographer to make the most of these high-speed capabilities with 6K Photo, recording a burst of 18-megapixel still images continuously at 30 fps with no buffer limit. The camera also incorporates 4K Photo, capturing 60 fps in 8-megapixel resolution. In 6K/4K Photo, three modes can be selected depending on the situation: 6K/4K Burst, 6K/4K Burst (Start/Stop) and 6K/4K Pre-burst.

Contrast AF with DFD (Depth From Defocus) technology has been further advanced, with the G9 able to achieve an industry-leading AF of 0.04 sec^vi (approx.). The camera’s high processing performance also allows it to incorporate Deep Learning technology (in addition to the conventional Face/Eye Recognition) – which detects the human body and is intended for action and sports photography.

6.5-stops compensation with 5-Axis Dual I.S. 2

Panasonic’s Dual I.S. 2 technology combines 5-axis internal stabilisation with the optical image stabilisation in selected lenses^vii. It has been enhanced in the G9 with a new algorithm, and can now support up to 6.5 stops of image stabilisation^viii – enabling shooting still subjects handheld at much slower shutter speeds and ISO values. It even allows shooting at ultra-telephoto focal lengths handheld up to 800mm^ix (35mm equivalent), so photographers can capture amazing wildlife and landscape images.

The new algorithm precisely calculates shake information from the gyrosensor, image sensor and accelerometer sensor for highly accurate shake detection and compensation, in particular for low-frequency movement.

Magnificent picture quality with 80-megapixel High Resolution Mode

Panasonic has optimised the G9 sensor for magnificent photography. The new High Resolution mode produces an 80-megapixel equivalent (10368 x 7776 pixels) RAW and/or JPEG image by automatically taking and combining 8 consecutive images in-camera. Designed for tripod shooting – such as landscapes – this provides amazing ease, detail and flexibility, allowing photographers to create very detailed scenes and large prints from their images.

Scott Mellish added:

“With resolution like this generally seen only on medium format cameras that cost many times more than the G9, this will have great appeal when tripod shooting in the fields of landscape, architecture and product photography.”

At the heart of the camera, the 20-megapixel Digital Live MOS sensor (without Low Pass Filter) and the high-precision Venus Engine processor – provide incredible detail, outstanding low-light performance and impressive dynamic range. The Venus Engine has a number of technologies that are designed to deliver a stunningly natural image. Multipixel Luminance Generation ensures that even the pixels on the edges of images are precise without false colours. Three-dimensional Colour Control balances hue, saturation and brightness for rich colour reproduction from dark to light. High Precision Multi Process Noise Reduction both identifies noise and preserves detail, supporting low-light shooting at ISO 25600.

A focus of innovation – Live View Finder with high speed and high magnification

The LVF was a key focus of Panasonic’s innovation when developing the new camera. It combines high speed and high magnification with carefully considered practical features – switchable magnification, Night Mode and AF Point Scope, designed to provide both comfort and excellent results in the field.

The LVF – with industry-leading approx. 0.83x magnification ratio and a 3,680K-dot OLED (Organic Light-Emitting Diode) display – has exceptional visibility. The fast refresh rate, free from blackout even in high speed burst shooting, is absolutely essential for action photography. The high-speed OLED technology delivers a smooth 120 fps display, a minimum time lag of less than 0.005 sec and an exceptional 10,000:1 high contrast ratio.

The magnification ratio can also be switched to 0.7x and 0.77x. No other mirrorless camera offers this, and it is an excellent feature for glasses-wearers, who can adjust the magnification in order to see the full frame.

Night Mode can be selected to put a red cast over the viewfinder and/or the LCD display. Red light does not affect the photographer’s vision when shooting night scenes and astrophotography, and does not disturb wildlife, making it easier to capture shots at night.

AF Point Scope is a brand new feature on the G9 for wildlife subjects. When shooting with a long telephoto lens with a shallow depth of field, confirming the correct focus point is crucial. While using autofocus, the user can now zoom in on the LVF or LCD screen, check the desired focus point in detail, and confidently take the shot.

Intuitive controls

A staple of pro-level cameras, the status LCD on top of the G9 body is the largest in its class. The LCD allows settings to be checked at a glance, convenient for tripod shooting. It can also be used at night instead of the rear monitor to reduce the light emitted from the camera.

The 3.0-inch 1040K-dot touch-control rear monitor includes Night Mode, has a 3:2 aspect ratio and uses a pixel structure of RGB (Red / Green / Blue) and White for high visibility in bright sunlight. It has a versatile 270-degree tilting design.

A convenient Fn lever at the bottom front of the camera allows users to assign a function such as ‘Night Mode’, and quickly flick the switch to activate when needed.

Designed for field use – rugged and mobile

The LUMIX G9 is highly mobile at 579 grams^x, while incorporating a rugged field-ready design. The camera has a magnesium alloy full diecast front/rear frame. Secure construction and sealing for every joint, dial, and button make the G9 not only splash^xi and dust-proof but also freeze-proof down to -10 degrees Celsius.

Panasonic has introduced USB charging with the G9. The camera can not only be charged via USB, but can also be operated while running off a portable USB power bank, useful for time lapse shooting. For the action photographer that needs to backup data while shooting, the high-speed Dual SD UHS-II Card slots provide the flexibility and protection of simultaneous recording to both cards.

Field work is also streamlined with Bluetooth 4.2 Low Energy connection and secure 5GHz Wi-Fi® (IEEE 802.11ac), providing convenient remote control and sharing with other devices, and faster data transmission.

Optional accessories – Battery Grip and Eyecup

The Battery Grip (DMW-BGG9) is weather sealed, enables a second battery to be used and replicates the main camera controls for portrait shooting convenience, including the joystick. An Eyecup (DMW-EC4) is available to block light falling on the viewfinder and for greater comfort.

LUMIX G9 pricing and availability

The G9 will be available in Australia in January 2018 from photographic specialists and consumer electronics retailers. The accessory Battery Grip and Eyecup will also be available from January.

• DC-G9GN-K – Body only: RRP $2499
• DC-G9LEICA – Leica kit with 12-60mm f2.8-4.0 lens (H-ES12060E): RRP $3499
• DC-G9PRO – Pro kit with 12-35mm f2.8 lens (H-HSA12035E): RRP $3499
• DMW-BGG9 – Accessory Battery Grip: RRP $399
• DMW-EC4 – Accessory Eyecup: RRP $29.95

For further information, please visit www.panasonic.com.au or call 132 600.

LUMIX G9

ⁱ With H-ES12060, as a Digital Single Lens Mirrorless camera, as of November 8, 2017
ⁱⁱ As a Digital Single Lens Mirrorless camera, as of November 8, 2017
ⁱⁱⁱ In 20 fps (AFC) / 60 fps (AFS) setting.
^iv With H-ES12060, as a Digital Single Lens Mirrorless camera, as of November 8, 2017
^v In 20 fps (AFC) / 60 fps (AFS) setting.
^vi In 1-Area AF, at wide-end with H-ES12060 (CIPA) in LVF120 fps setting. Contrast AF with DFD works only with Panasonic Micro Four Thirds lenses.
^vii 5-Axis Dual I.S.2 can be used with the following lenses as of November 8 2017. A firmware update may be required. H-FS14140, H-RS100400, H-ES200, H-ES12060, H-HSA12035, H-HSA35100, H-FSA45200 and H-FSA100300.
^viii Based on CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm camera equivalent f=120mm), when H-ES12060 is used.
^ix Based on CIPA standard [Yaw/Pitch direction : focusing distance f=140mm (35mm camera equiv. f=280mm), when H-FS14140 is used
^x Body only, without battery and SD Card
^xi Splash Proof is a term used to describe an extra level of protection this camera offers against exposure to a minimal amount of moisture, water or dust. Splash Proof does not guarantee that damage will not occur if this camera is subjected to direct contact with water.

Panasonic has announced the introduction of a new telephoto single focal length lens, the LEICA DG ELMARIT 200mm / F2.8 / POWER OIS (35mm camera equivalent: 400mm).

This ultra-telephoto lens offers outstanding high speed and low light performance in a lightweight design. The lens achieves stunning results for action photography, while still attaining compact mobility at a 200mm focal length – unheard of in other camera systems. For even greater versatility, a bundled 1.4x Teleconverter extends focal length to 560mm (35mm equivalent).

Scott Mellish, Product Marketing Manager, Imaging, Panasonic said: “The new H-ES200 lens is designed to be the perfect partner for the LUMIX G9. The F2.8 aperture is designed for low light shooting at dusk or dawn, while the 200mm focal length is a staple for sports and wildlife photography.”

The H-ES200 has a rugged dust and splash-proofⁱ design for field use and is freeze-proof down to -10 degrees Celsius. The new lens, in stylish metallic black, will be available in Australia in January 2017, priced at $4299RRP from photographic specialists.

Key Features

The highly mobile lens supports handheld ultra-telephoto shooting. With its 400mm ultra-telephoto focal length and stunning descriptive performance, the H-ES200 is suitable for wildlife or sports photography. A 1.4x Teleconverter (DMW-TC14) is bundled with the lens; and the H-ES200 can also be used with the optional 2.0x Teleconverter (DMW-TC20) to extend focal length to 800mm (35mm equivalent).

The fast F2.8 aperture captures rapidly-moving subjects, while the Power OIS (Optical Image Stabiliser) compensates for hand-shake to enable shooting without a tripod and in low-light situations. For powerful stabilisation, the lens works with Dual I.S.ⁱⁱ (Image Stabiliser), and the Dual I.S. 2ⁱⁱⁱ system when mounted on compatible Panasonic LUMIX DSLM cameras.

The lens incorporates 15 elements in 13 groups, including two UED (Ultra Extra-low Dispersion) lenses. These lenses and Panasonic’s cutting edge optical technology achieve high-resolution, high-contrast imaging from corner to corner while suppressing distortion and chromatic aberration.

Incorporating a triple linear motor system, the LEICA DG ELMARIT 200mm / F2.8 / POWER OIS is compatible with the LUMIX G sensor drive at 240fps to take advantage of the high-speed, high-precision Depth From Defocus (DFD) focusing system. This stunning AF performance supports the precise focusing required for 4K video.

ⁱ Splash-proof is a term used to describe an extra level of protection this lens offers against exposure to a minimal amount of moisture.
ⁱⁱ Dual I.S. is available on GX8, GX85
ⁱⁱⁱ Dual I.S. 2 is available on GH5, G9, G85

*Some functions of the H-ES200 cannot be used with the DC-GH5. The firmware allowing the DC-GH5 to fully comply with the H-ES200 is scheduled to be released by the end of December 2017.